With the F55, you’re ready to shoot in HDR — opening up exciting new creative opportunities for audiences to enjoy today and tomorrow. The versatile F55 brings movies and TV shows to life with spectacular 4K detail, color, and dynamic ranges. The Sony F55 in Super 35 format captures 16-bit image files at up to 4K RAW. The Sony F55 in Super 35 format captures 16-bit image files at up to 4K raw.
You have to leave it alone to Sony, both the F5 and F55 were ahead of their time and their longevity is proof of that. The Sony F55 in Super 35 format captures 16-bit image files at up to 4K raw. The latest firmware for the F55 offers extended color space support, high frame rate 16-bit 4K RAW recording, fresh ergonomic enhancements, and more.
When was the Sony F55 released
Pictured on the left is the Sony F55, which is identical to the F5 in most cases, except for the higher frame rate options, and, oh yes, this little thing called a global shutter. The wide range of sensors now ranges from the FS100 and FS700 and F3 to the new F5 and F55 to the flagship F65, giving content creators incredible flexibility and creative options for capturing in HD, 2K, 4K and beyond. The F55 also has a similar color filter array to the F65, which should allow for a higher color gamut. Although the F5 and F55 are well equipped with three codec options (four if you count Raw), Sony has announced that it is adding Apple ProRes and Avid DNxHD recordings to the SxS cards.
Which mount is the native mount of the Sony PMW F55
The Sony PMW-F55 is one of the first digital film cameras with a global shutter that completely eliminates motion distortion and other roll distortions. With the PL mount adapter, you can take advantage of the renowned cinema optics from Angénieux, Canon, Carl Zeiss, Cooke, FUJIFILM, Leica and more. The Sony PMW-F55 CineAlta 4K digital cinema camera features an 8.9 megapixel super 35 mm image sensor that can record video in 4K, 2K and HD resolution in a wide range of formats via the camera’s internal recorder. The FZ mount provides an interface for native FZ lenses such as Sony’s SCL-Z18X140 autofocus servo zoom lens or a range of adapters for floor-standing lenses, including Canon EF, Canon FD, Nikon F, Leica M and more.